I recently worked with Google and 72andSunny to create portraits for a project commemorating the 25th anniversary of the Americans with Disabilities Act. As a nod to the 1990 protest known as the Capitol Crawl when activists with disabilities pulled themselves up the steps of the Capitol Building, the artwork was featured on staircases throughout Washington, D.C. More info can be found here.
A while back I decided to take a stab at writing & illustrating a kids book. Client work seems to come first so this little project has taken a back seat, but I work on it when I have time. So, I'm still busy dummying the book out, but did some painted tests from the character development stage. Did these back in November but forgot to post them here. Better late than never, I guess. Pretty sure this is one of those projects that I'll need to make time to work on it instead of trying to find the time.
I recently passed the one year mark of having a separate studio from where I live. The previous 12 or 13 years had me working from home, but when my house started filling up with my children, the need for the studio increased as my work productivity decreased. It was only supposed to be until the kids were in daycare, but it quickly turned into a better situation overall so now it's a long term thing. Being able to turn off work when I leave for the day and just be Dad at home, and being more productive and more focused has been pretty invaluable. All my worries about the extra costs, or wanting to work all the time, or not being at home for every hour of every day, quickly washed away after I settled into the new routine. I highly recommend this move for anyone in a similar situation.
This past summer I was commissioned by Great Lakes Brewing Company in Cleveland, OH, to refresh the label artwork for their line-up of craft beers. GLBC is a brand that's critically acclaimed with a regional cult following and it's the first time they've refreshed their brand since opening for business over 25 years ago. The branding refresh was handled by the great team at Brokaw. So many of the labels have connections to Ohio, as well as personal connections to the brewery's owners, brothers Pat and Dan Conway. My job is to help showcase these stories in an interesting way all while remaining true to their roots as they get ready for expansion on national scale. Here's the reveal of the first 5 labels.
Well just when I thought work and life couldn't get busier, I started teaching a Hand-Lettering class in the Illustration program this semester at my alma mater, Sheridan College. I have always had a bit of a soft spot for it since I had such a great experience while there and it's hard for me to imagine how different my life and career would be if not for Sheridan. I had great teachers, an invaluable internship, and graduated with some fellow illustrators who create wonderful work and continue to inspire me.
I've lectured from time to time, but it's not at all in my comfort zone, mainly because it feels like I should be an extrovert in order to truly enjoy it. That said, the past few years I've learned how to work comfortably outside of my comfort zone. Or maybe my comfort zone is just larger now as a result of forcing myself to step outside of it? But, for me, teaching is worlds apart from lecturing and it feels so much more natural. I like it. I like the idea of getting to know your students, seeing them learn and grow from you, and it feels like it'll be very fulfilling. I've quickly learned what teachers mean when they say it's a very rewarding profession. I've often felt a desire to be a part of the cycle that helps the next generation of illustrators, regardless of how brief it'll be for, even if it's just for this semester. I've started wondering if my own growth as an illustrator (and/or as a person?) will be influenced from this stint, kind of like when you become a parent and you're conscious of leading by example. Anyways, I'm excited to see comes of it.
I've bee playing around with repeating patterns lately. Basically, these are little exercises to help me think more graphically because I have some future plans for my work (like illustrating a kids book) and I need to feel more comfortable with the transition, both visually and mentally.
Here's a treatment I did for WIRED UK.
I just found out that a series of animal pieces I worked on for Prana have been accepted in the Society of Illustrators 56. Normally I don't get excited about stuff like this but SI has been undergoing some great changes in the past few years and I'm happy to help support them as they continue to help preserve the craft of Illustration.